-
Re: The interpolation split
Not sure if this translates to FontLab, but in my current Glyphs project, I only have full masters for Hairline and Bold. Whenever I do optical corrections in the Bold that will look excessive in the…4 -
Re: Eau de Garamond — a sans distilled from the essence of Garamond
That's why I'm making gin instead. ;o) As for going retail: The contract with Google specifically precludes me from selling derivatives of my OFL products. And like Khaled, I do like the i…4 -
Re: Why does the horizontal stroke of the oldstyle 4 sit slightly above the baseline?
I think the /4 is not supposed to rest on the baseline like the /2, but float on its keel like a hovering fantasy ship. No a priori reason why that should be so, I guess... the /4 has always struck m…1 -
Re: MyFonts: Web, Epub, Server etcª license business – worth doing?
Hi Andreas, on MyFonts, the only thing you have to do is to sign an agreement that you're willing to offer these licenses. The rest is handled on the MyFonts side. Whether or not the payoff is «…1 -
Re: Curvature Combs
I found SpeedPunk very helpful toward understanding curve quality. Now that I have an eye for it, I don't use it much anymore. I still use RMX Harmonizer regularly as part of my workflow when dr…6
